Letteratura e cultura dei paesi di lingua inglese
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| Letteratura e cultura dei paesi di lingua inglese |
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Codework
Talan Memmott, Lexia to Perplexia
Tisselli, Degenerative, http://www.motorhueso.net/degenerative/
Alan Sondheim >
Mez (Mary-Anne Breeze) > "net.wurked" + neologistic language that she has termed m[ez]ang.elle >
Talan Memmott > "rich.lit"
Ted Warnell > "codepoetry"
Brian Lennon > "digital visual poetics"
John Cayley > "programmable poetry"
Alan Sondheim:
"Works using the syntactical interplay of surface language";
"Works in which submerged content has modified the surface language";
"Works in which the submerged code is emergent content."
ASCII characters
“1337 [leet] hax0r” >>> “elite hacker”
digital graffiti
Unix filter “b1ff”
Antye Greie-Fuchs (AGF), Head Slash BauchSINCE THE LETTUR SUBSTITUSHUNZ CAN BE AU2M8D. THURE ALSO EXISTZSIMPLE TEXTF1LTUR SOFTWARE—LIKE THE THE MANEFRA1M O/Z F1LTUR B1FF—WH1CH TRANS4MZ STANDARD ENGLISH WR1T1NG IN2 733T SPEECH.
http://www.youtube.com/watch?v=dYgUOrgucl0&feature=related
mez (Mary Anne Breeze) http://netwurkerz.de/mez/datableed/complete/index.htm
From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Date: Thu, 9 Jan 2003 17:17:20 -0500 (EST)
sleeping and running zombies through bodies
CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes:
35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,
load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,
14956K shrd, 15080K buff Write vaginas through my CPU states: 4.7% user,
5.8% system, 0.0% nice, 89.4% idle! CPU states: 4.7% user, 5.8% system,
0.0% nice, 89.4% idle:36 processes: 35 sleeping, 1 running, 0 zombie, 0
stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem:
38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas
through my CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle!
load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K
free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1
user,:CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36
processes::Write vaginas through my CPU states: 4.7% user, 5.8% system,
0.0% nice,:89.4% idle! CPU states: 4.7% user, 5.8% system, 0.0% nice,
89.4% idle:36 processes: is sufficiently well-inscribed. - I consider the
following again, your CPU states: 4.7% user, 5.8% system, 0.0% nice,
89.4% idle:36 processes: ... enunciation inscribes me upon your token! CPU
states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes:, load
average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,
remembers my chisel My load average: 0.54, 0.26, 0.11: :Mem: 38664K av,
35084K used, 3580K is your language... load average: 0.54, 0.26, 0.11:
:Mem: 38664K av, 35084K used, 3580K free, calls forth births inscription,
hungered, making things. upon the time, load average: 0.54, 0.26, 0.11:
:Mem: 38664K av, 35084K used, 3580K free, is here, 00], 35 sleeping, 1
running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,? ... inscription
is stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11:
:Mem: on black stone, it’s inscription? Are you satisfied with your load
average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,?
load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,
1086 is the perfect proclamation. CPU states: 4.7% user, 5.8% system,
0.0% nice, 89.4% idle:36 processes: 35 sleeping, 1 running, 0 zombie, 0
stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem:
38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas
through my CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle!
load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K
free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1
user,:CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36
processes::Write vaginas through my CPU states: 4.7% user, 5.8% system,
0.0% nice,:89.4% idle! load average: 0.54, 0.26, 0.11: :Mem: 38664K av,
35084K used, 3580K free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m
4:20pm up 8 min, 1 user,:CPU states: 4.7% user, 5.8% system, 0.0% nice,
89.4% idle:36 processes::free,:35 sleeping, 1 running, 0 zombie, 0
stopped:1m 4:20pm up 8 min, 1:38664K av, 35084K used, 3580K free, 14956K
shrd, 15080K buff Write vaginas Your enunciation names my stopped:1m
4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: !
source code, data and processing
ASCII art (1998), Vuk Cosic
Form art (1997), Shulgin
So, Mez, for example, expressly strives:
2 uze computer kode kon.[e]vent.ionz spliced with irc emoticons and
ab[scess]breviations....
2 spout punctu[rez]ationz reappropri.[s]ated in2 sentence schematics....
2 illustrate the x.pansion of software potentialities of co:d][iscours][e
in an environment x.clusively reliant on it.
Oltre a Talan Memmott: Giselle Beiguelman, Eugene Thacker, Mez, JODI, Brian Lennon, Ted Warnell
Apple iPad 2 - Spot Tv Italia - Questo è ciò in cui crediamo (Ottobre 2011)
Memmott «the common thread is that the works make use of e-mergent ideograms and processes».
serration
textuality of post-literary hypermedia
Perplessia secondo Memmott: "a confusion of ontological, literary, and technical application"
"With a document that is acted upon, unfolded, revealed, opened rather than read, full of holes to elsewhere, hiding secret inScriptions, filled with links like mines and traps and triggers - we are no longer talking page or screen, but appliance".
hypermediacy:
a visual style that, in the words of William J. Mitchell (1994), “privileges fragmentation, indeterminacy, heterogeneity and emphasizes process or performance rather than finished art object”
da J. David Bolter e Richard Guisin in Remediaton. Understanding New Media
"The ability to overlap text, image, any object on the page alters the concept of the document on the web, and with some additional JavaScript, the sheet - the imagine sheet that is the screen - is puncturated rather than punctuated. I saw a lot of potential here in complicating the literary page/screen argument."
"…non è solamente una questione di protesi di impianti d'organi…è una questione di coscienza. Noi acquisiamo delle nuove facoltà e una nuova comprensione della presenza umana…" [Ray Ascott]
"They see their work along with that of scientists and engineers as part of the continuum of human discovery. There is a symbiotic interplay between technology, imagination, science and expression in which artistic vision inspires the development of new technologies …" [Richard Karpen, "Creating and Understanding Digital Art: Interview with Richard Karpen", in Dichtung-Digital all'indirizzo http://www.brown.edu/Research/dichtung-digital/]
"…art, technology, and science converge, resulting in new forms of human expression and new ways of experiencing our humanity."
bi.narration: " I think I have used the term in "Lexia" to represent a degree of reciprocity in the conductivity between agents[…] It refers as well to the hidder narrative , the odyssey of our encoded [secret(ed)] agents through the Internet apparatus…" [Mark Amerika, "active /on Blur: an interview with Talan Memmott", Gennaio 2001, http://www.altx.com/ebr/ebr11/11tal.htm]
"In "Lexia" I think I insinuate this by the heavy horizontal of the interface- plus, there are a few direct diagrammatic references to the Lacanian diagram." [Ibidem]
"The hum.and I-terminal constructs any/every attachment eye-to-I, while simultaneously attached elsewhere. Fluctuating between variable foci, engaged in transmissive exe.tension and exe.change--[…] At once, face to face and turned away, both avatar and eye in motion toward personal intertimacy…"
"From here the analog and slippery digits of the real are poured into the mouth of the funnel. Though we enter the funnel, we have not yet entered the other, the distant and remote…" "…Flowing further, the variable body, the abstracted and released continuum of the body is compressed, reduced and encoded, codified--made elemental…Now we are small enough, we hope--it is the hope of communification that we minimize the space of flesh--to continue on/in/out/off and away…"
*.
*.bot
*.fect
*.ject[I]
[I]dentity[n]
[n]eitherbi.
bi.narrativeCom.
com.plex
com.unionCon.
con.cern
con.crete
con.gressCyb?
cyb?org
cyb?organizedDe.
de.mise
de.part
de.parted
(anche de:parted)
de.ported
de.signing
de.velopingDis|
dis|solutionDys.
dys.conforting
dys.constructing
dys.placesE.
e.scapeExe.
exe.change
exe.cution
exe.pand
exe.streams
exe.Termination
exe.ternal
exe.treamExo.
exo-psycheF.
f.logocentricHum.
hum.and
hum.andityI-
I-terminalIdeo.
ideo.satisfractileIm.
im.pulsesIn.
in.Tent
(ma anche In.Tent)
in.Vented
in.VentionIn|
In|divid.uleInter.
inter.actualMis-
mis-takeN.
n.tmpNo./NO.
No.ledge
NO.whereOp.
op.positionPara.
para.I-terminalPre|
pre|ferences
pre|misePro|
pro|gress
pro|visionalRe:
re:enacting
re:inforcements
re:internalized
re:marks
re:motion, re:move
(ma remote)
re:motional
re:moved
re:stored
re:turned
re:turnedRE:
RE:oraginizedSub.
sub.sequent
sub.stitutionSup|
sup|posedTrans|
trans|formed
trans|missive
trans|missiveV.
v.memoryValue.
value.lengthX-
x-terminal
*.
tele*..exe
a.exe.f
cell.f.I
local.I-I
terminal-I.less
object.less(s)
dis|Content(s)(t)
premedif(t).tmp
nercissus.tmp.txt
Tech.txt
(1, ON) (any-I)
[eye:arch]ON
[for:getting.0]
[I + body]
[original + body]
cell.f o cell… (f)
cyborganic
cyborganizationexo
eye/I
hyperlobal
I-(…)
I@another / another@I
idea:entity
IDEA:IDENTITY
ideo.satisfractile
ideocratic
infosphere
matastrophic
n.tmp
no.ing
on/in/out/off
onBlur
overcoding
solipststatic
sp[out]
super-net|ural
termitory
/lectic /critical /logical /gression /version /matic /strophe /graphic
/motion /function /tactic /cratic /sphere /metry /static /jecture /nymic
/nomous /mergency /text /texture /lation /plex /geneous /genic /vention
/termination /lexic /fixation /portation /spective /thetic /sensual /physics
/tactile /textile /netic /schema /structure /tention /cept /lingual /volution
/lateral /linear /tronic /phoria /allax
. : | )( -- / == @ && ; , ... ++ {} [] () ^ ...()... :|: : |)( -- / == @ && ; , ... ++ {} [] () ^ ...()... :|: ; , ... ++ {} [] () ^ ...()... :|:
Org+{...(x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y)...}=[...S...]
[local.{[*...(*] | )}(...^...){( | [*)...*]}.remote]
<@A>([s] >< [x])<@B>
<@A>([N] @ [N])<@B>
000 000 000 0
META:[0.(s).X SRC=("I"] think).
"if {I == 1 && I==0}; metastrophe true; else {I==[x]} & exe.stream true."
f(r)iction
f(r)act
pun(c)turator
narra(c) tive
re (li) gion
(f)log(h)o(a)s(t)
"Instead of technologies being created by humans, this work imagines digital technology as present from the beginning, with subjects and technologies producing each other through multiple recursive loops" (Katherine Hayles, "Metaphoric Networks in Lexia to Perplexia")
Stéphane Mallarmé (1842 – 1898), Un coup de dés jamais n'abolira le hasard
oppure. http://www.poetryintranslation.com/PITBR/French/MallarmeUnCoupdeDes.htm
